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Maunder Minimum addresses iconic vision as an integral complication to sight as the boundary between conscious and unconscious perception. This work is part of an ongoing series of photographs addressing latent imagery remaining on the retina often unperceived by the conscious through the creation of retinal membranes and a body of cameras to capture fleeting moments quietly outside of common experience. Colors, shapes, and forms are collected on the inner surface of the eye before they can be directed by memory and one can ‘see’. |
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Resonant Environment As a visual artist and composer I am interested in probing the synthesis of composition as an aspect of HCI to unravel the harmonic structures of molecules in order to gain a deeper understanding of the aesthetics of organism and harmonic resonance coupling in creative play. |
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Resonant Environment (Magnetron Chamber) ...continued from above Through the programming of sound patches using MAX/MSP, these compositions can manipulate and re-organize organic materials using radio and microwave transmissions in real time performative actions. |
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Secondary Refuse began at the site of the first man-made nuclear reaction in 1942. Through the creation of photographic devices sensitive to low emissions of gamma radiation this body of work confronts the diffused waste that continues to permeate the by-products with which we are in contact daily. |
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Art of Tone is an approach to the granular synthesis of vision utilizing HCI as an introspective and interactive platform to reveal deviations in performative action, both through the articulation of physical movement and continuity of action through time. Art of Tone addresses the complexity of musical articulations, chordal patterns, and compositional forms into a new visual tapestry touching on the performative aspect inherent in the photographic medium. |
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The Third Book offers a new perspective on the path and organization of human interaction. Utilizing a rectilinear photosensitive cell as a mode to transpose real-time motion into still frame images to the benefit of performance artists as an alternative to live staging. Conceptually it was created to address the human form as a set of generalities. |
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